Review Tracks
This is an incomplete list of some of the tracks I use when reviewing audio devices and the reasons I use them. I am always looking for better examples of specific elements and welcome recommendations. I am a lover of blues, blues/rock, classic rock, and anything with good guitar work in it. For that reason, my test tracks tend to be slanted towards those genre.
Album Cover | Artist | Album | Track | Notes |
---|---|---|---|---|
![]() | Stevie Ray Vaughan | Texas Flood | Lenny | Guitar to die for, but what I look for is percussion. Snare, cymbal, and highhat. |
![]() | Fleetwood Mac | The Best of... | Go Insane (Live) | Guitar and male vocals. Lots of nuance and subtleties in this song. |
![]() | Jonny Lang | Lie to me | Lie to me | Looking for control of bass and sub-bass and bleed into mids. |
![]() | Tedeschi Trucks | Let me get by | I want more | Female vocals, brass band |
![]() | The Blasters | Testament | Blue Shadows | Saxophone and piano with male vocals |
![]() | Vintage Trouble | The bomb shelter Sessions | Blues Hand me Down | Looking at attack speed and decay especially in bass and sub-bass. This track gets muddy quick if the equipment can’t handle it. |
![]() | Poco | Legacy | Call it love | Male Vocals and Vocal harmonies |
![]() | Yngwie Malmsteen | Rising Force | Rising Force | Duh, Guitar! oh, and the vocals aren't bad either |
![]() | Gerry Rafferty | City To City | Baker Street | Saxophone timbre |
![]() | Janis Joplin | Pearl | Cry Baby | Female Vocals |
![]() | Jethro Tull | Songs from the wood | Hunting Girl | Flute Timbre |
![]() | Primal Scream | Give Out but don't give up | Rocks | Guitar attack and sub-bass extension |
![]() | Cowboy Junkies | The Trinity Sessions | I'm so Lonesome I could cry | Soundstage and Female Vocals |
![]() | Van Morrison | Moondance | Crazy Love | Male Vocals |
![]() | The Who | Who's Next | Baba O'riley | Soundstage and Imaging |
![]() | Keith Richards | Main Offender | Runnin Too Deep | Soundstage and bass depth/punch |
![]() | Edvard Grieg | Peer Gynt | In the hall of the Mountain King | Dynamics, this piece goes from near silent to blisteringly loud with every step between well represented in the mix. |