Review Tracks
This is an incomplete list of some of the tracks I use when reviewing audio devices and the reasons I use them. I am always looking for better examples of specific elements and welcome recommendations. I am a lover of blues, blues/rock, classic rock, and anything with good guitar work in it. For that reason, my test tracks tend to be slanted towards those genre.
Album Cover | Artist | Album | Track | Notes |
---|---|---|---|---|
Stevie Ray Vaughan | Texas Flood | Lenny | Guitar to die for, but what I look for is percussion. Snare, cymbal, and highhat. | |
Fleetwood Mac | The Best of... | Go Insane (Live) | Guitar and male vocals. Lots of nuance and subtleties in this song. | |
Jonny Lang | Lie to me | Lie to me | Looking for control of bass and sub-bass and bleed into mids. | |
Tedeschi Trucks | Let me get by | I want more | Female vocals, brass band | |
The Blasters | Testament | Blue Shadows | Saxophone and piano with male vocals | |
Vintage Trouble | The bomb shelter Sessions | Blues Hand me Down | Looking at attack speed and decay especially in bass and sub-bass. This track gets muddy quick if the equipment can’t handle it. | |
Poco | Legacy | Call it love | Male Vocals and Vocal harmonies | |
Yngwie Malmsteen | Rising Force | Rising Force | Duh, Guitar! oh, and the vocals aren't bad either | |
Gerry Rafferty | City To City | Baker Street | Saxophone timbre | |
Janis Joplin | Pearl | Cry Baby | Female Vocals | |
Jethro Tull | Songs from the wood | Hunting Girl | Flute Timbre | |
Primal Scream | Give Out but don't give up | Rocks | Guitar attack and sub-bass extension | |
Cowboy Junkies | The Trinity Sessions | I'm so Lonesome I could cry | Soundstage and Female Vocals | |
Van Morrison | Moondance | Crazy Love | Male Vocals | |
The Who | Who's Next | Baba O'riley | Soundstage and Imaging | |
Keith Richards | Main Offender | Runnin Too Deep | Soundstage and bass depth/punch | |
Edvard Grieg | Peer Gynt | In the hall of the Mountain King | Dynamics, this piece goes from near silent to blisteringly loud with every step between well represented in the mix. |
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